Sieglinde in Die Walküre Act I
Dallas Symphony
Thrilling, room-filling sounds, but also delicate pianissimos where called for...Read More
Isolde and Sieglinde in Wagnerian Excerpts
Baltimore Symphony Orchestra
Read MoreMagical and memorable... What made Melton's singing wonderful was not volume — though her voice is by no means small — but freshness and feeling. From the moment she opened her mouth, she was artlessly moving, actually communicating...
Amelia in Un ballo in maschera
Deutsche Oper Berlin
Someone who can sing Verdi with such lyricism and vocal harmony is practically a dream for Wagner and his Sieglinde...Read More
Fata Morgana in The Love for Three Oranges
Deutsche Oper Berlin
A fine figure as Fata Morgana, especially in her tremulous rendition of the Act II curse...Read More
Magna Peccatrix in Mahler Symphony No. 8
Aspen Music Festival
Melton's muscular, cutting sound had a creamy sheen that made it rich and warm, ideal for the role of Magna Peccatrix...Read More